Fountain of ‘Déjà vu’ ⇒ Kirno Sohochari

… Today’s artist is unknowingly a repeater of the created events, they are actually inept to create something new by deconstructs all readymade meaning and values which human beings have trapped by wittingly. No God remains there who can rescue them; no Avatar never ever will come to guide them; none is visible in this meaning-manic barren land who can sweep all this garbage and lead humanity so it can recover the loss and get back its original “form”. It is impossible for contemporary artist deconstructs the real picture by using his imaginative power and super abstraction, rather it better for him to agree with this, i.e., the flavor of the classical and modern age is expired… No meaning might exist that a person can treat reliable to understand the real picture of this animated world. Reality is not an illusion but in which way human cognition materialized it by meaning and values, all these are a hypothetical extension but not the reality itself; as because nobody knows the reason why real objects appeared in this world and for what reason they make a relation between them… Once it motivates an artist trespass the reality-frame, so he can achieve his own ecstasy; once it made the breeding ground for him, and he started his spiritual journey from variant extent and “form”; the opportunity now obscured in vain due to the confusing nearness between a real object and its reflection in painting frame. No spirituality has left over for an artist that can help him reconsider his subjectivity in light of previous techniques that he gets from abstract, surreal or hyperbolic art. The only “form” he can use at this moment and that is, deliver his artwork a perplexing illusion of the reality which itself is elusive due to its inconsistent addition and subtraction of meaning and values. Baudrillard mentioned Duchamp and Warhol artistic venture to remind the truth once again… Continue reading Fountain of ‘Déjà vu’ ⇒ Kirno Sohochari

When the image is born (Part-4) ⇒ Kirno Sohochari

… What we see these are not enough, but what we feel when we see “these”, it might be more precious to realize the real essence of life. A real object always hides its originality as like Basho’s old pond. The duty of an artist could be there, he should jump into the pond to discover the hidden treasures by using his inner visionary. This is the spiritual journey of an artist… Continue reading When the image is born (Part-4) ⇒ Kirno Sohochari

The Hyperreal world of Khaled Hafez ⇒ Kirno Sohochari

… This is a new world where images of amity often collide with animosity. The fragrance of love and attachment totters by confusion and soon it collides with hatred. No morals are eternal here that could be treated as a reward for honesty; instead, they collide with immoral within the twinkling of eyes. Fairy-looking happiness walks like a toddler and dash with tragic misfortune. Power collides with the fear of losing power. Divinity threatened and busy to wrestle with no-divinity. The life-giver atoms could collide at any moment by the life-taking reverses. We are living in a pretentious world where everything is looking fine-tuned and over certain, but they fragmented by pieces when collides with uncertainty rings the bell. The essence of super-human is a faint shadow and soon replaced by the ghostly non-human… Khaled Hafez might realize the collided duality and tries to engrave all this contrast in his canvas, so seer can feel something quickly shifted and replaced by one another, and time is none but a character of ambiguous disorder between signs. His animated paintistry echoed the truth with pop art fancy… Continue reading The Hyperreal world of Khaled Hafez ⇒ Kirno Sohochari

When the image is born (Part-3) ⇒ Kirno Sohochari

… Vermeer’s painting indicates real things and their relation with human get fractured or broken when a painter pick them for his canvas. This is called implicit silence that may deserve seer’s involvement and his conscious connotation so he can associate him to read the meaning of the real things in art, and as well as the difference it makes from the images of extant reality. Art denies reality and the artist always try to paint what his visual cortex told him to paint. An artist denies the order of things that might make by the humans, and the system now tried to dominate him by this. Artist’s rebellion against the order of things can only save his soul to the ordained discipline of life, where he tried to reverse the order of things through his artistry, as Cubist and Surrealist did and to the consequence Abstract and even the Realistic artform tried to do it often… Let come to the point, how a seer can read the reality a painting object reflexes? How he can differentiate his usual reality sense when he stands in front of the painting canvas with a dizzy mind? Let make the question bit difficult, how he faces the abstraction of life and real objects that are now very frequent in painting canvas? The answer of all these questions is not a ready-made set. We cannot say what he feels that should be treated his judgment to the artwork and rest is immaterial… Continue reading When the image is born (Part-3) ⇒ Kirno Sohochari

When the image is born (Part_2) ⇒ Kirno Sohochari

… every visible thing reminds the muse of invisible ‘bit or dot’, where they associate according to their will to destroy and rebuild things over again. Every ‘thing’ has gonna in the void when death appeared and all these every ‘thing’ can revive from the out of nothing.

The Hegelian phrasing might be appropriate here to realize the meaning of life; that is, —there is something always remains to be waiting in nothingness, something remain in the complete void, to bring back the whole picture of reality over again. Creation itself is transcendental and mysterious in this way, so why not art. Maybe that’s why Kandinsky tried to consider art a spiritual silence of creation and destruction. He thinks it doesn’t matter where an artist sitting on the apex of any horizontal line of the triangle, but it does matter what he sees or feel in his ‘within’ by sitting there… Continue reading When the image is born (Part_2) ⇒ Kirno Sohochari

When the image is born (Part-1) ⇒ Kirno Sohochari

… ‘Life’s appearance and omission in the world, its presence or absence from the surface, all these are nothing but an illusion of our dizzy mind. Images have born and dissolved into the surface but the essence of images remains even after the annihilation happened. This essence might be the prehistoric element that never dies and that’s why images are born over to repeat the tiresome jingle of life. Every new image is the resonance of old images; every newish venture somehow linked with the prehistoric ventures happened in the remote past. Images are the repeater of that ambiguity where nothing has gonna vanished for forever. Both poets painted the same imagery in a different context. They deliver the same message but the ways of contrasting images are different…This is the landing zone of art ‘where everything is seemingly over, where everything looked as if they omit in vain and none is there who can whisper that he exists to talk with the silence.’ Without this poetry cannot get its end and painting can never be born… Continue reading When the image is born (Part-1) ⇒ Kirno Sohochari

In remembrance of Vincent ⇒ Kirno Sohochari

… Hostility was coming as a death angel to the idler who was eager to free his married brother taking his burden for the rest of his life. Mental asylum was might be the only place where Vincent can protect his humanity and his passionate love for yellow and blue. Nowadays we know Vincent’s asylum days has appeared a boon to him where he painted his masterpieces one-after-another with enthusiastic passion and steadiness. Asylum is not a tranquil place for human beings but Vincent made it tranquil for him where nobody can tease him and nor anybody is there who left him to think that he is an unfit or impossible companion. Society treat madness a disease and Vincent had guts to think he needs space to rethink about this madness; his days on asylum helped him to remove the dreadful fear that he is not alone in this world, there are people who are hallucinated like him… Continue reading In remembrance of Vincent ⇒ Kirno Sohochari

Lost in transition ⇒ Kirno Sohochari

… Suicide is the cruelest creativity of humans, for those who cannot hold themselves anymore to fight against the adverse wind with iron-mind. This weakness calling the death of an artist (and other human beings as well), but it appeared profitable for those who invented the trick but never think to take this bit a moment… Misfortune, Mahi committed suicide before reached the matured state of her life to point out the phrase in her canvas that, —everything in this world is falling down like the imperfect composition of a musician. Anyway, her unfinished artworks might beacon that we’ve lost something precious, have fallen in the inescapable wormhole, tried to escape but abortively falling down in the faulty-cleft to repeat the mistakes over again; and, to deliver the final resonance, —we are caught by the inescapable which we weaved by our own hands… Continue reading Lost in transition ⇒ Kirno Sohochari

Animated absurdity and Ekşioğlu’s artworks ⇒ Kirno Sohochari

Ekşioğlu’s artwork is not influenced me to be staying lonely, and or, he doesn’t provoke me feeling imprisoned in the animated cage of life; instead of, his artworks messaging to me that: life is an absurd animation, in where our body-mind distorted by the opposite binary; where we desired or hoped one and get the reverse. Art lovers may be treated his surreal outfit as an explosion of satirical agony; but to me, his satire is suited better to the sadness and discomfort of our animated life… Continue reading Animated absurdity and Ekşioğlu’s artworks ⇒ Kirno Sohochari

Occupied by Parking ⇒ Kirno Sohochari

My wordbook is reality but full of delusive shadows. I, the shadow-man, stayed here against my true desire to never back home again. I’m reality against my delusive shadows, because they repeat the cliché resonance, despite to know that I’m not stayed here to park somewhere, instead this I stayed here for an infinite cradling, in where landing zone obscured by myriad illusive reality… Continue reading Occupied by Parking ⇒ Kirno Sohochari

Street Art and the passerby’s annotation ⇒ Kirno Sohochari

System needs reality check, if we wanted to mention the necessity in a modest sense; albeit most of the time it is essential to fuck the system as graffiti artist tried to say. Because, man-made system always tries to supersede the basic agreement of Social Contract as a manipulator. System manipulates people-face the same, invent laws for people the same, define ethics that how people should behave and what be the best for them. Anyway, system is inevitable for human, because Homo sapiens used to live the societal life as well for survival and adaptation./ but… System should maintain its openness to all; it should be accountable to all; otherwise, human beings feel threatened and endangered, where doubt leads them to following street-art-sequences… Continue reading Street Art and the passerby’s annotation ⇒ Kirno Sohochari