When the image is born (Part-4) ⇒ Kirno Sohochari

… What we see these are not enough, but what we feel when we see “these”, it might be more precious to realize the real essence of life. A real object always hides its originality as like Basho’s old pond. The duty of an artist could be there, he should jump into the pond to discover the hidden treasures by using his inner visionary. This is the spiritual journey of an artist… Continue reading When the image is born (Part-4) ⇒ Kirno Sohochari

When the image is born (Part-3) ⇒ Kirno Sohochari

… Vermeer’s painting indicates real things and their relation with human get fractured or broken when a painter pick them for his canvas. This is called implicit silence that may deserve seer’s involvement and his conscious connotation so he can associate him to read the meaning of the real things in art, and as well as the difference it makes from the images of extant reality. Art denies reality and the artist always try to paint what his visual cortex told him to paint. An artist denies the order of things that might make by the humans, and the system now tried to dominate him by this. Artist’s rebellion against the order of things can only save his soul to the ordained discipline of life, where he tried to reverse the order of things through his artistry, as Cubist and Surrealist did and to the consequence Abstract and even the Realistic artform tried to do it often… Let come to the point, how a seer can read the reality a painting object reflexes? How he can differentiate his usual reality sense when he stands in front of the painting canvas with a dizzy mind? Let make the question bit difficult, how he faces the abstraction of life and real objects that are now very frequent in painting canvas? The answer of all these questions is not a ready-made set. We cannot say what he feels that should be treated his judgment to the artwork and rest is immaterial… Continue reading When the image is born (Part-3) ⇒ Kirno Sohochari

When the image is born (Part_2) ⇒ Kirno Sohochari

… every visible thing reminds the muse of invisible ‘bit or dot’, where they associate according to their will to destroy and rebuild things over again. Every ‘thing’ has gonna in the void when death appeared and all these every ‘thing’ can revive from the out of nothing.

The Hegelian phrasing might be appropriate here to realize the meaning of life; that is, —there is something always remains to be waiting in nothingness, something remain in the complete void, to bring back the whole picture of reality over again. Creation itself is transcendental and mysterious in this way, so why not art. Maybe that’s why Kandinsky tried to consider art a spiritual silence of creation and destruction. He thinks it doesn’t matter where an artist sitting on the apex of any horizontal line of the triangle, but it does matter what he sees or feel in his ‘within’ by sitting there… Continue reading When the image is born (Part_2) ⇒ Kirno Sohochari

When the image is born (Part-1) ⇒ Kirno Sohochari

… ‘Life’s appearance and omission in the world, its presence or absence from the surface, all these are nothing but an illusion of our dizzy mind. Images have born and dissolved into the surface but the essence of images remains even after the annihilation happened. This essence might be the prehistoric element that never dies and that’s why images are born over to repeat the tiresome jingle of life. Every new image is the resonance of old images; every newish venture somehow linked with the prehistoric ventures happened in the remote past. Images are the repeater of that ambiguity where nothing has gonna vanished for forever. Both poets painted the same imagery in a different context. They deliver the same message but the ways of contrasting images are different…This is the landing zone of art ‘where everything is seemingly over, where everything looked as if they omit in vain and none is there who can whisper that he exists to talk with the silence.’ Without this poetry cannot get its end and painting can never be born… Continue reading When the image is born (Part-1) ⇒ Kirno Sohochari